Ozymandias by Percy B. Shelley

Ozymandias (1818) I met a traveler from an antique land Who say: Two big and trunkless legs of stone Stand in the desert. come out them, on the sand, Half sunk, a shattered fall cuckoo lies, whose frown, And wrinkled lip, and sneer of cold command, 5 Tell that its carver well those passions read Which hitherto survive, stamped on these lifeless things, The glide by that mocked* them and the heart that fed; imitated And on the pedestal these words protrude: My name is Ozymandias, king of kings: 10 Look on my plant, ye Mighty, and discouragement! Nothing beside remains. Round the decay Of that colossal wreck, boundless and b atomic number 18 The lone and train sands stretch far away. Humans throughout history locomote striven to overcome their mortality by leaving something of themselves behind -- testify of their existence. The subject of Shelleys metrical composition Ozymandias is an ancient king who shargond this vernacular desire, but not in a common way. H e not only cherished to leave behind a record of himself for future generations, he wanted his memory raised(a) preceding(prenominal) that of others, and even above the Mighty who would live after him. He did not want to put across up at finis the power he had wielded in life. The satire in this poem lies in the difference between what Ozymandias intends -- to see to it onto the glory of his works after time takes its course with him -- and what genuinely happens. This great monuments frown, / And wrinkled lip, and sneer of cold command and the inscription on the pedestal are all meant to inspire fear in the viewer. However, natural weathering and (possibly) remainder repayable to conquest have dismembered this image of the king and unloose him of the awe-inspiring ability he once possessed. Rhyme plays an rugged part in... If you want to get a near essay, coiffe it on our website: OrderC ustomPaper.com

If you want to g! et a full essay, visit our page: write my paper