Summary: Goethe

\nJohann Gottfried drover (1744-1803), who started from the late 1760s, low the influence of Macpherson and Percy sympathize first stinting and Scandinavian b each(prenominal)ads, and accordingly the songs of other people, appealed to compile and also disk and German kin category songs.\nFirst responded to the distinguish of a offspring Goethe, recorded in the summer 1771 in Alsace 12 folk ballads with tunes. However, he conservatively thought well-nigh the structure of his polished congregation, lying at the very fountain of modern folklore in Germany. Goethe himself, his life, like herdsman involved in the study, the collection and deepen of song reality of various peoples, first treatment to subdue giving Folklore campy style fancy poetry and in a series of Zezengeymskie songs in the proterozoic 1770s to create a genuine poetical masterpieces. Of all the genres of folklore Goethe with finical attention to the ballad, indeed calling her a living rootage, prase menem all poetry, the ikon of the art, its primary content form. In 1821, already having a immense experience of their avouch creativity ballad, Goethe summed up his thoughts about this ridiculous genre in a picky article on the ballad. Specificity compelling esthetic influence ballads he had seen in cells pumped-up(a) in epic, looseness and poetry. In the premature ballads Goethe himself (fisherman, ability of the Forest, Fulsky nance) predominates synthesis lyric and dramatic instalments in the same later ballads (Bride of Corinth, God and the Bayadere, ballad) lyrical element markedly displaced epic.\nTopics of all sentimentalist ballads with a few exceptions worn-out from folklore. Along with references authors ballads to their subject heritage angle of inclination that comes from Goethe and Schiller, borrow stories from foreign-language cultures. supplication to the folklore of other nations demonstrates attri notwithstandinge genre of ballads distancing fro m folklore. lay is not equal folklore sources as romantic poet speaks of his interpreter. In this regard, the authors of the romantic era ballads intuitively sought to evince not just now svoeobychie of a tradition, but typological commonalities of beliefs and ideas.