'How did Bobbie Ann Mason`s upbringing in the rural south influence her writing of Shiloh Essay\r'

'Bobbie Ann mason is considered as mavin of the great the Statesn writers from the South. Her personal background as a grayer influenced and hard-boiled a backdrop for most of her fiction stories. From a sm either country girl who used to analyze Bobbsey Twins and the Nancy Drew mysteries, Bobbie Ann mason has become maven of the America’s leading fiction writers. In 1980 The bleak Yorker published her first story. â€Å"It took me a pine metre to discover my material,” she says. â€Å"It wasn’t a national of developing writing skills; it was a matter of subtle how to mold things. And it took me a real long time to grow up.\r\nI’d been writing for a long time, but was never satisfactory to cop what thither was to write about. I always aspired to things outdoor(a) from foundation, so it took me a long time to pay heed back at home and realize that that’s where the center of my thought was” (Bobbie Ann mason’s Homepa ge). This colloquy will try to map out the pilgrimage that Bobbie Ann Mason has taken from being just a country girl to being one of America’s leading fiction writers as hygienic as how her upbringing has been manifested in her writings, especially â€Å"battle of battle of Pittsburgh Landing”. Bobbie Ann Mason was born in 1940 in a small town in Mayfield, Kentucky.\r\nGrowing up in her p arnts’ dairy uttermostm, she spent most of her childishness days in the true rural gray view and experiencing the Southern way of upbringing. (â€Å"Bobbie Ann Mason,” Wikipedia) The first cardinal (9) old age of her educational smell were spent in a rural school. trivially there afterward Bobbie Ann Mason attended a â€Å" city” school where she stayed until her graduation. It was here where she first experienced living in the city and experiencing the hustle and bustle that was absent from the rural tick offting that she was accustomed to in Kentuc ky (Webber).\r\nIt was her love for literature that prompted her to take a degree in journalism from the University of Kentucky and ultimately attain a Ph. D. in English from the University of Connecticut. (â€Å"Bobbie Ann Mason,” Wikipedia) This presumable â€Å"duality” of her background, developing up in the Southern Setting and highly educated in a metropolitan conniption, is reflected psychehin most of her written plant life (Hunt). Rothstein describes Mason’s style as a combination of her â€Å"intellectual sophistication” (after all, she had a doctors degree degree) and â€Å"the sense of isolated, yearning existence of her rural characters [is] one she has never quite shed herself.\r\n” The influence of growing up in the South is clearly shown in most of her characters in her stories yet the theme and tincture of the story reveals her intellect and cosmopolitan views as well. A perfect example of how Mason reveals this â€Å"duali ty” is in Shiloh. In Shiloh, Mason shows this through the challenges that the characters undergo; close to of these reassigns that the characters in experience deal with the nature of tender life, the changes brought on by death, the issues on disease and maturement; but these changes ar not so common, nor as trouble rough, in Mason’s stories as the changes brought on by a changing society.\r\nThese changes, as Edwin T. Arnold mighty observes, atomic number 18 brought about by the fact that the pose â€Å"has effectively displaced, transformed, and cheapened the traditional,” and Mason’s characters argon visualised as they lose their strengths and beliefs and distinguish nothing squ ar(p) to replace them (136) Bobbie Ann Mason’s writings are mostly set in the South. Her pas seul is to a greater extent realistic and not romanticized; unlike the works of Faulkner or O’Connor (Hunt), she depicts small-town rural Southern living, usin g discourse and settings characteristic of the South (Hunt).\r\nHowever, â€Å"southern history and all it represents seems irrelevant to her characters’ lives” (Fine 87). Bobbie Ann Mason occasionally reveals her talent and wit by being able to focus to a greater extent on her characters and their sense of isolation and their penury for something more than from their lives and draw the reader towards the characters and make them empathize with the characters. These characters are not simply depicted as typical Southerners, but preferably as slew â€Å"who are trying desperately to get into the society rather than out of it” (Reed 60).\r\nMason shows the Southern Influence by creating believable characters that are caught in the transition betwixt the old, pastoral, rural human race of farms and close-knit communities and the modern, anonymous, suburban world of shopping malls and fast-food restaurants (Shiloh: Themes). In â€Å"Shiloh,” for exam ple, Leroy did not notice the change in his hometown while he was on the passageway as a trucker. However, now that Leroy has come home to stay, â€Å"he notices how much the town has changed. Subdivisions are banquet across western Kentucky like an oil slick. ”\r\nChange, a theme a great deal used by Mason in her works, shows just how much Mason is influenced by her upbringing and also reveals how she laments over how people are slow to realize the changes in southern society. In this story, it takes a traumatic event of some large-minded to make the characters see that the land has changed or that they no longer know who they are. In Leroy’s case, it is his contingency and injury in his rig that make him see that the land has changed, that no(prenominal)ma blue jean has changed, and that â€Å"in all the years he was on the road he never took time to examine anything.\r\nHe was always loyal past stage settingry” (2). Several of Mason’s character s react to the changes in their lives by trying, at least momentarily, to go back. Leroy thinks that he can hold onto his married charr if he can go back to a simpler time. He decides to accomplish this by construction her a log cabin for which he goes so far as to order the blueprints and to build a toy dog out of Lincoln Logs. Mabel, Leroy’s m different-in-law, is convinced that if Leroy and Norma denim will go to Shiloh where she and her husband went on their honeymoon, they can somehow begin their fifteen-year-old marriage anew.\r\nSo does Leroy. He says to Norma, â€Å"You and me could start all over again. in effect(p) back at the beginning” (15). It is ironic, fitting, and symbolic that it is at Shiloh that Norma tells him she wants to leave him. By story’s end, Leroy knows that he cannot go back as â€Å"it occurs to him that building a class of logs is . . . empty †too simple. . . . now he sees that building a log house is the dumbest idea he could have had. . . . It was a sick(p) idea” (16). He realizes that â€Å"the real inner whole works of a marriage, like most of history, have flee him” (16).\r\nThe female characters that Mason brings to life are what set her stories apart from the usual literature which depicts Southern women; their dreams, goals, and their want for progress significantly differs from those of the traditional Southern belle characters such as Scarlett O’Hara and Adie (Hunt). The female characters of Mason espouse change and are not afraid of it (Kincaid 582). This plainly feminist theme reflects the change in societal relationships between men and women; how evolving and rapidly shifting sexuality roles affect the lives of simple people.\r\nMason also shows how some of her women try to forge new identities in the charge up of shifting gender roles and how their efforts often include a blatant shrinking of traditionally feminine behaviors or characteristics; sometimes they seem almost completely to be trading roles with the men in their lives. And since change often causes uncertainty and instability, another aspect is the way these women find some solid ground through connections with other women (Bucher). â€Å"Shiloh” is a story that â€Å"symbolizes the modern char striving to find her identity” (Cooke 196).\r\nIn this scam story, Bobbie Ann Mason masterfully portrays the lead female character, Norma dungaree, as one such woman; upstanding, determined and bemused in a search for her identity. Mason is able to show this to the reader through the acts of Norma Jean as she tries to improve her physical appearance by â€Å"works on her pectorals” (Mason 271), enrolls in a â€Å"variety of classes, from weightlift to cooking exotic foods to English composition in an attempt to become a new woman” (Thompson 3). These actions of Norma Jean actions reveal more of a strong desire for inner personal transformation, much more than anything else.\r\nHowever, Mason also recognizes that uncivil change in one’s personality has its own dangers (Hunt), as illustrated by Norma Jean and Leroy’s relationship. Norma Jean and Leroy’s relationship is a perfect example of the dangers of an penetrating change as it shows a marriage with adept problem and the effect that change has on it. Leroy and Norma Jean Moffitt, are working-class people living in the modern South, and thus they bring into their marriage all sorts of unspoken expectations of who they should be, which often contrast violently with who they are †even more so with who they are bonnie (Bucher).\r\nWhen in a twist of fate, Leroy loses the use of his leg, Norma Jean suddenly assumes the role of being the man in the family and this leads to problems. It is this sort of change that is not only abrupt but also drastic which Mason shows in Shiloh that reveals her Southern influence. She emphasizes the changing role of wom en in society by using the Southern setting as a backdrop. Mason is a caramel brown of fluctuate and roll music. This passion and preference for rock music and pop culture are a great deal reflected throughout her stories as well (Webber).\r\nâ€Å"Writing is my version of rock-and-roll,” Rothstein quotes her (Webber). This is aptly shown in â€Å"Shiloh,” where the main characters themselves are named after Elvis Presley and Marilyn Monroe, popular icons of the rock and roll scene and pop culture in the early 1950s. whole in all, it can be said that Bobbie Ann Mason’s personal background shows a very consistent influence in the fiction stories that she writes and provides a deeper and different perspective about living in a Southern setting and rural life in general.\r\nâ€Å"In the country in Kentucky, people are just amazed that anybody in New York wants to read about their lives” (Rothstein). With fiction stories of Bobbie Ann Mason, however, it i s not move that people will want to read more about Kentucky or the Southern locales of the United States, for that matter, for her stories deal of the universal human experiences that transcend physical and ethnic boundaries which people can identify with.\r\nWORKS CITED:\r\nArnold, Edwin J. â€Å" move Apart and Staying Together. ” Appalachian daybook (1985): 135-141Aycock-Simpson, Judy. Bobbie Ann Mason’s Portrayal of Modern Western Kentucky Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 7 (1989) â€Å"Bobbie Ann Mason. ” Wikipedia: Free Encyclopedia. noble 30, 2006. November 11, 2006 <http://en. wikipedia. org/wiki/Bobbie_Ann_Mason> â€Å"Bobbie Ann Mason. ” Bobbie Ann Mason’s Homepage. September 17, 2005. November 24, 2006 <http://www. eiu. edu/~eng1002/authors/mason2/bio. htm> â€Å"Shiloh: Themes. ” Short Stories for Students. Ed. Marie Rose Napierkowski. Vol. 3. Detroit: Gale, 1998 . eNotes.\r\ncom. January 2006. 24 November 2006. <http://www. enotes. com/shiloh/32686> Bucher, Tina. â€Å"Changing Roles and purpose Stability: Women in Bobbie Ann Mason’s Shiloh and Other Stories” Border States: Journal of the Kentucky-Tennessee American Studies Association, No. 8 (1991) Cooke, Stewart J. â€Å"Mason’s ‘Shiloh. ‘” The Explicator 51 (1993): 196-197. Fine, Laura. â€Å" dismission Nowhere Slow: The Post-South World of Bobbie Ann Mason. ” The Southern literary Journal 32 (1999). Hunt, Kristina. â€Å"Mason’s teddy of the South. ” October 27, 2000. November 11, 2006.\r\n'